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--- sasteren:auteurs:william_faulkner [2025/09/01 08:23] – admin_sasteren
+++ sasteren:auteurs:william_faulkner [2025/09/01 09:05] (huidige) – [Poetry collections] admin_sasteren
@@ Regel 379: / Regel 379: @@
   * Land van de farao's (1955)
+==== Screenplays ====
+==== Produced ====
+^Year^Film^Credit type^Based on^Ref.^
+|1933|Today We Live|Dialogue and story|"Turn About" by William Faulkner|[95]|
+|1935|Banjo on My Knee|Uncredited|Banjo on my Knee by Harry Hamilton|[96][97]|
+|1936|The Road to Glory|Screenplay|—|[98]|
+|1936|The Petrified Forest|Uncredited, screenplay|The Petrified Forest by Robert E. Sherwood|[99]|
+|1937|Slave Ship|Story|The Last Slaver by George S. King|[100]|
+|1938|Submarine Patrol|Uncredited, screenplay|Ray Milholland's The Splinter Fleet of Otranto Barrage, 20th Century-Fox|[101]|
+|1939|Gunga Din|Uncredited, treatment and dialogue revision|"Gunga Din" by Rudyard Kipling|[102]|
+|1939|Drums Along the Mohawk|Uncredited contributor|Drums Along the Mohawk by Walter D. Edmonds|[103]|
+|1943|Northern Pursuit|Screenplay|To Have and Have Not by Ernest Hemingway|[104]|
+|1944|To Have and Have Not|Screenplay|To Have and Have Not by Ernest Hemingway|[105]|
+|1945|The Southerner|Uncredited|Hold Autumn in Your Hand by George Sessions Perry|[106]|
+|1945|Mildred Pierce|Contract writer, uncredited|Mildred Pierce by James M. Cain|[107][108]|
+|1946|The Big Sleep|Screenplay|The Big Sleep by Raymond Chandler|[109][110]|
+|1947|Stallion Road|Uncredited, screenplay|Stephen Longstreet's eponymous novel, for Warner Bros.|[111]|
+|1949|Intruder in the Dust|Uncredited|Intruder in the Dust by Faulkner, suggestions and revisions may have been wholly rejected|[112]|
+|1953|Shall not Perish|Television screenplay|To Have and Have Not by Ernest Hemingway, broadcast by CBS on Lux Video Theatre|[112]|
+|1955|Land of the Pharaohs|Screenplay|—|[113]|
+|1955|The Left Hand of God|Uncredited, screenplay|The Left Hand of God by William Edmund Barrett|[114]|
+==== Unproduced ====
+^Year^Title^Type^Notes^Ref.^
+|1932|Night Bird|Story outline for unwritten screenplay|Included in Faulkner's MGM Screenplays, published in October 1982 by University of Tennessee Press.|[115]|
+|1932|Manservant|Treatment for unwritten screenplay|Based on Faulkner's short story "Love". Included in Faulkner's MGM Screenplays.|[116]|
+|1932|The College Widow|Treatment for unwritten screenplay|For MGM|[117]|
+|1932|Absolution|Treatment for unwritten screenplay|For MGM, based on Faulkner's "All the Dead Pilots"|[117]|
+|1932|Flying the Mail|Screenplay|Adapted from treatment by Ralph Graves and Bernard Fineman for MGM|[117]|
+|1933|War Birds|Screenplay|For MGM, based on John McGavock Grider's War Birds as well as Faulkner's "All the Dead Pilots", "Ad Astra", and Sartoris|[118]|
+|1933|"Mythical Latin-American Kingdom Story"|Screenplay|Written for MGM|[118]|
+|1933|Louisiana Lou|Screenplay|Used for the 1934 film Lazy River without Faulkner's involvement.|[119]|
+|1936|Wooden Crosses|Screenplay|For 20th Century-Fox|[120]|
+|1936|Zero Hour|Screenplay|For 20th Century-Fox|[120]|
+|c. 1940s|Dreadful Hollow|Screenplay|Written for Howard Hawks|[114]|
+|Early 1940s|Untitled|Screenplay|Involves a love triangle and murder at a carnival in Belgrade, Serbia, written with Dudley Murphy for Warner Bros., loose adaptation of Faulkner's "Wash" and Absalom! Absalom!|[121]|
+|1941|The Damned Don't Cry|Screenplay|Adaptation of Harry Hervey's 1939 novel of the same name|[122]|
+|1942|The De Gaulle Story|Screenplay|	[123]|
+|1943|Country Lawyer|Story treatment|Adaptation of Bellamy Partridge's novel, albeit with the setting moved to Faulkner's Yoknapatawpha County, included in Country Lawyer and Other Stories for the Screen, published in June 1987 by University Press of Mississippi.|[124]|
+|1943|Battle Cry|Screenplay|Epic World War II film for which Warner Bros. denied director Howard Hawks funding, appears in Faulkner: A Comprehensive Guide to the Brodsky Collection, Volume IV: Battle Cry, published in December 1985 by University Press of Mississippi.|[125]|
+|1943|Revolt in the Earth|Screenplay|Written with Dudley Murphy for Warner Bros., loose adaptation of Faulkner's "Wash" and Absalom! Absalom!|[105]|
+|1943|The Life and Death of a Bomber|Screenplay|Patriotic film written to provide positive publicity for Consolidated Aircraft|[126]|
+|1946|One Way to Catch a Horse|Treatment|	[111]|
+|1946|Continuous Performance|Treatment|Collaborated with unknown person|[111]|
+|c. 1948|Morningstar|Treatment|Concerns an interplanetary trip to Venus, discussed project with Howard Hawks|[127]|
+|1953|Old Man|Television screenplay|Adaptation of the "Old Man" chapter in Wild Palms|[128]|
+|1956|Untitled|Television screenplay|Concerns a conflicted man forced to testify before the House Un-American Activities Committee|[129]|
+==== Poetry collections ====
+^Year^Title^Publisher^Notes^Ref.^
+|1921|Vision in Spring|University of Mississippi|Published in the 1920–1921 Ole Miss yearbook|[130]|
+|1924|The Marble Faun|Four Seas|His first book published|[131]|
+|1933|A Green Bough|Harrison Smith and Robert Haas|	|[132]|
+|1962|Early Prose and Poetry|Little, Brown and Company|Compiled and edited by Carvel Collins, most had previously appeared in the Ole Miss student newspaper|[132][133]|
+|1981|Helen, a Courtship and Mississippi Poems|Tulane University Press & Yoknapatawpha Press|Joint publication|[134]|
+==== Essays ====
+^Year^Title^Notes^Ref.^
+|1953|"A Note On Sherwood Anderson"|	[136]|
+|1954|"Mississippi"|	[137]|
+|1954|"A Guest's Impression of New England"|	[137]|
+|1955|"An Innocent at Rinkside"|	[137]|
+|1955|"Kentucky: May: Saturday"|	[137]|
+|1955|"On Privacy"|With "On Fear", was part of larger unrealized essay collection "The American Dream"|[138]|
+|1955|"Impressions of Japan"|	[137]|
+|1955|"To the Youth of Japan"|	[137]|
+|1956|"Letter to a Northern Editor"|	[137]|
+|1956|"On Fear: Deep South in Labor: Mississippi"|See "On Privacy"|[138]|
+|1956|"A Letter to the Leaders in the Negro Race"|	[137]|
+|1961|"Albert Camus"|	[137]|
+==== Book reviews ====
+^Year^Book reviewed^Author^Published in^Ref.^
+|1931|The Road Back|Erich Maria Remarque|The New Republic|[139][140]|
+|1935|Test Pilot|Jimmy Collins|American Mercury|[139][140]|
+|1952|The Old Man and the Sea|Ernest Hemingway|Shenandoah|[140]|
+==== Introductions ====
+^Year^Title^Ref.^
+|1926|Foreword to Sherwood Anderson & Other Famous Creoles|[139]|
+|1932|Introduction to the Modern Library Edition of Sanctuary|[139]|
+|1954|Foreword to The Faulkner Reader|[139]|
+==== Public letters ====
+^Year^Title^Notes^Ref.^
+|1927|To the Book Editor of the Chicago Tribune|	[139]|
+|1938|To the President of the League of American Writers|	[139]|
+|1941|To the Editor of the Memphis Commercial Appeal|	[139]|
+|1946|"His Name Was Pete"|In the Oxford Eagle|[139]|
+|1947|To the Editor of the Oxford Eagle|	[139]|
+|1950|To the Editor of the Memphis Commercial Appeal|	[142]|
+|1950|To the Editor of the Memphis Commercial Appeal|	[142]|
+|1950|To the Secretary of the American Academy of Arts and Letters|	[142]|
+|1950|To the Voters of Oxford|	[142]|
+|1950|To the Editor of the Oxford Eagle|	[142]|
+|1950|To the Editor of the Time|	[142]|
+|1951|Statement to the Press on the Willie McGee Case|Published in the Memphis Commercial Appeal|[142]|
+|1954|To the Editor of The New York Times|	[142]|
+|1955|To the Editor of the Memphis Commercial Appeal|	[142]|
+|1955|To the Editor of the Memphis Commercial Appeal|	[142]|
+|1955|To the Editor of The New York Times|	[142]|
+|1955|To the Editor of the Memphis Commercial Appeal|	[142]|
+|1955|To the Editor of the Memphis Commercial Appeal|	[142]|
+|1955|To the Editor of the Memphis Commercial Appeal|	[142]|
+|1955|Press Dispatch on the Emmet Till Case|Provided to United Press International|[142][143]|
+|1956|To the Editor of Life|	[142]|
+|1956|To the Editor of the Reporter|	[142]|
+|1956|To the Editor of Time|	[144]|
+|1956|To the Editor of Time|	[144]|
+|1956|To the Editor of The New York Times|	[144]|
+|1957|To the Editor of Time|	[144]|
+|1957|To the Editor of the Memphis Commercial Appeal|	[144]|
+|1957|Notice|September 24, published in the Oxford Eagle|[144]|
+|1957|Notice|Published in the Oxford Eagle|[144]|
+|1960|To the Editor of The New York Times|	[144]|
+==== Speeches ====
+^Year^Title^Notes^Ref.^
+|1940|Funeral Sermon for Mammy Caroline Barr|Barr was a former slave and the "mammy" who had helped raise Faulkner.|[146][147]|
+|1950|Upon Receiving the Nobel Prize for Literature|Although he won the Nobel Prize in 1949, Faulkner accepted the award alongside 1950 Laureate Bertrand Russell in a combined ceremony.|[146][148]|
+|1951|To the Graduating Class, University High School|	[146]|
+|1951|Upon Being Made an Officer of the Legion of Honor|	[146]|
+|1952|To the Delta Council|	[146]|
+|1953|To the Graduating Class, Pine Manor Junior College|	[146]|
+|1955|Upon Receiving the National Book Award for Fiction|	[146]|
+|1955|To the Southern Historical Association|	[146]|
+|1957|Upon Receiving the Silver Medal of the Athens Academy|	[146]|
+|1957|To the American Academy of Arts and Letters in Presenting the Gold Medal for Fiction to John Dos Passos|	[146]|
+|1958|To the Raven, Jefferson, and ODK Societies of the University of Virginia|	[146]|
+|1958|To the English Club of the University of Virginia|	[146]|
+|1959|To the U.S. National Commission for UNESCO|	[146]|
+|1962|To the American Academy of Arts and Letters upon Receiving the Gold Medal for Fiction|	[146]
 ===== Noten en referenties =====